I often connect more to fictional characters than to real people.
how much is a loaf of bread? hm? $3? $5?
At my local grocery store, bread is about $4.50 for a decent size italian loaf. If I make $7.25 and hour, that means I’d have to work 37 and a half minutes for a Loaf of bread.
but hey, that’s not so bad right? Work two hours and you’ll have a sandwich, eh?
Oh hey, turns out I also need toilet paper, rice, chicken, some veggies, a can of soup, and some cereal. (to name a few basic groceries one might need on a budget) we’ll round those things down to $25 just to make the math easier.
at $7.25 an hour I’ll have to work about 3 and a half hours for basic groceries.
That doesn’t include bills or gas or all the other groceries I need, That’s ONE quick trip to the store and I already have to work half a day just for that.
You don’t understand Anon, my pages could take HOURS if not DAYS. Between the sketching, inking, colouring, lettering, and finishing it’s taken at least a full two day’s work if not longer for each page.
I have a job that pays me beans, I cannot afford to post more pages a week without compensation. I literally cannot afford to do that. Not to mention the idea that art is only worth minimum wage cheapens the amount of work and effort that goes into producing it. I should be making WELL ABOVE minimum wage for my art via page count and commissions but it’s this damn “deviant art” mindset that makes people feel like they’re being swindled for paying a livable wage to artists. It’s rude and childish and I ask that you please stop considering artists as less worthy of affording a normal life.
You can either pay me what I ask for what you want or stop complaining about what I already give you for free.
I cannot fucking stand people who tell illustrators that something they produce is too expensive.
Yall motherfuckers want cheap? Go get some paper, get a fucking pencil and then draw it your motherfucking selves because nobody freelancing on the internet who hasn’t even half made it in the illustration world is charging you ANYTHING close to industry pricing even when some of us are as good if not better. Why? Because of people like Anon. Your name must be out there and known to charge anything close to what your time and skill is worth. Yet still? You are paying for my effort, my time, my blood, sweat and tears and a lifetime of learning my trade.
A cheap page for yo ass is a piece of paper I haven’t touched yet.
(As a freelancer I cannot staaaaaaaaaaaaaand people who pull this dogshit.)
$100 is pretty cheap for a page.
Basic math, for Anon up there: Break that $100 down into an hourly rate. Factor in materials. Factor in skill and schooling and experience. Bear in mind that a page rate *at all* means there’s a good chance it’s work-for-hire, which means that $100 a page might be all the artist gets, ever.
And then, when you’ve done that math, think about what that means in terms of how few comics artists make a living hourly wage.
Want a pro artist, anon? Pay them like a fucking pro.
I’d like to add the a professional of any stripe has the duty to themselves, and the right to charge a rate based on his skill level and the work he or she puts in.
I will do my girlfriendly duty and reblog this every time I see it on my dash (usually with more and more amazing commentary)
PAY YOUR ARTISTS!
So apparently feminism is a hate movement. I’m sorry I don’t remember any feminists going on any shooting sprees because they were rejected by men or sending death and rape threats to blogger who pointed out sexism in video games.
The Ren & Stimpy Show (created by John Kricfalusi, 1991)
"According to cartoonist Bill Wray, John Kricfalusi created the characters Ren and Stimpy around 1978 for "personal amusement" during his time in Sheridan College. He was inspired to create Ren by an Elliott Erwitt photograph, printed on a postcard, called ‘New York City, 1946,’ showing a sweatered chihuahua at a woman’s feet. Stimpy’s design was inspired by a Tweety Bird cartoon called A Gruesome Twosome where the cats in the animation had big noses. When Nickelodeon approached Kricfalusi, he presented three shows, among them a variety show titled Our Gang or Your Gang, with a live action host presenting different cartoons, each cartoon parodying a different genre. Ren and Stimpy were pets of one of the children in Your Gang, serving as a parody of the ‘cat and dog genre.’ Vanessa Coffey, Nickelodeon’s Vice President of Animation Production, was dissatisfied by the other projects but did like Ren and Stimpy, singling them out for their own show.
The show’s aesthetics draw on Golden Age cartoons, particularly those of Bob Clampett in the way the characters’ emotions powerfully distort their bodies. The show’s style emphasizes unique expressions, intense and specific acting, and strong character poses. One of the show’s most notable visual trademarks is the detailed paintings of gruesome close-ups, along with the blotchy ink stains that on occasion replace the standard backgrounds, ‘reminiscent of holes in reality or the vision of a person in a deep state of dementia.’ This style was developed from Clampett’s Baby Bottleneck, which features several scenes with color-cards for backgrounds. The show incorporated norms from ‘the old system in TV and radio’ where the animation would feature sponsored products to tie in with the cartoon, however in lieu of real advertisements, it featured fake commercial breaks advertising nonexistent products, most notably Log.”
Printer: Heinrich Knoblochtzer, 1488
Death music. Der Doten danz. Mainz ca.
Artist Name: Benjamin Green